»Pictures develop a logic of their own when all that is portrayed is concealed and the sole remaining subject of the picture is its materiality.«
RL16, Berlin
Jae August und Leo Elia Jung, Christoph Bannat, Tom Biber, Barbara Buchmaier und Christine Woditschka, Chat, Esther Ernst, Oliver Grajewski, Stephanie Kloss, Andreas Koch, Peter K. Koch, Sonya Schönberger, Birgit Szepanski, Anna-Lena Wenzel, Christina Zück
Gimnazijos g. 4, Kaunas, Lithuania
Justin Andrews, Linda Arts, Karina Bisch, Blaqk, Anna-Maria Bogner, Stephen Bram, Lars Breuer, Julia Bünnagel, Ruth Campau, Nicolas Chardon, Neil Clements, DAG, Jacob Dahlgren, Frauke Dannert, Bert Didillon, Jamie Duncan, Angela Fette, Marita Fraser, Sebastian Freytag, Clemens Botho Goldbach, Michelle Grabner, Terry Haggerty, Gregor Hildebrandt, Siggi Hofer, Imi Knoebel, Peter K Koch, Mischa Kuball, Zora Kreuzer, Alex Lawler, Mail und Dirk Löbbert, Simon Morris, Guido Nieuwendijk, Jörg Nittenwilm, Hannes Norberg, Martin Pfeifle, Christian Robert-Tissot, Gerwald Rockenschaub, Alexandra Roozen, Christine Rusche, Jan Scharrelmann, Felix Schramm, Anja Schwörer, Anders Slevold Moe, Michal Skoda, Esther Stocker, John Tremblay, Mathieu Tremblin, Mirko Tschauner, Jan van der Ploeg, Iemke van Dijk, Marije Vermeulen, Reitet Wanders, Sebastian Wickeroth, Lydia Wieringa, Guido Winkler, Lars Wolter
Die Möglichkeit einer Insel, Berlin
Heike Gallmeier, Andrea Grützner, Jeroen Jacobs, Stephanie Kloss, Andreas Koch, Peter K. Koch, Wilhelm Klotzek, Eric Meier, Frank Nitsche, Fiene Scharp, Thomas Scheibitz, Kai Schiemenz, Christian Schwarzwald, Maja Weyermann, Martina Wolf
Peter K. Koch’s works evade categorization within the confines of any commonly accepted genre, depriving the observer of descriptive access and refusing to subject themselves to classical ideas about painting and sculpture.
In terms of formal characterization, his works, which frequently unfold within space and stand in closely correspondence with that space, are more closely related to hybrid objects that exhibit pictorial and sculptural properties – while still remaining on the fringes. Koch uses aspects of painting and sculpture. When conceiving of his works on the basis of prototypes, colorful surfaces are transmuted into spaces. The fragments are alienated via pictorial re-categorization, leading to an independent form, an abstracted concept of space.
Throughout his process of artistic genesis, Koch’s artistic oeuvre, with its recurring hard-edge elements, has successfully transitioned from the pure two-dimensionality of a picture or an object on the wall to spatial constructions located somewhere between minimalism and pop art.
Gwendolyn Kremer
Kuckei + Kuckei
Linienstraße 158
10115 Berlin
www.kuckei-kuckei.de
Studio Peter K. Koch
Kottbusser Damm 70
10967 Berlin
mail@peter-k-koch.de
